A solid bit of gambling obsession lite. It's an on-the-surface appealing mix of normal Swanberg character driven talk as plot mixed with a more conventional plot about bottoming out in order to be saved from self-destruction by way of addiction. However, neither of those things elevates the other, and what you have is a pleasing diversion with a solid main performance from Jake Johnson. And what can only count as coup for film in the age of the streaming -- this film premiered on Netflix yet it was shot on 16mm (presumably it will never be shown that way?) but because Swanberg opted for 16 over 35 the grain shows all over the screen and constantly reminds you of its origins.